Major Japan Collection
Cinquain Pair:
Ascension
Ascend (2)
Encounter, thrive
(4)
Elevated senses (6)
Incomprehensible
silence (8)
Conquered (2)
Descension
Descend (2)
Rough adventure (4)
Eerie prescience,
twilight (6)
Silhouette figures,
stalking eyes (8)
Fuji (2)
While ascending Mt.
Fuji, I had encountered many obstacles that were very challenging,
however I was able to thrive off my motivation. My senses were
elevated, to a level I had never experienced. While reaching the top,
I had noticed this silence I have never knew existed, and from there
I knew I had conquered both the mountain, and my own mind and bodies
capabilities.
While descending, it
was getting very dark, and uncertainties had followed. My mood
changed from experiencing euphoria, to the dark unknown of the
cliffs. The adventure turned very rugged, while bright eyes stalked
me, I had noticed the outlines of animals that made unnerving sounds.
Mt. Fuji |
Haiku:
Tatami Bugs
Infesting, fearing
(5)
Nihon, Rampant, Dani
mite (7)
Itching insomnia (5)
A comedic, yet
epidemic problem in Japan is the Dani, which live in the tatami mats
in houses. These bugs leave itchy red bite marks on you and come from
harvest in the rainy season. My experience with these were seldom,
however one night alone with these and I was traumatized and left
without any sleep.
Rondelet:
Nightsky Illumination
The memories (4)
Color gradient of
sky tree (8)
The memories (4)
Peaceful, calm
Sumida river (8)
The worlds tallest
tower, free (8)
Standing amongst,
gazing at thee (8)
Nightsky Skytree |
Tanka:
Breathing in the day
that finds me new
Purification (5).
Hanami,
natsubate (7)
Beautiful biwa (5)
Konbini bento
delight (7)
As time has its way
with me (7)
Notes:
Process of purification before viewing flowers. Sacrificing body in
the summer heat from exhaustion while being healed by the sounds of a
beautiful Japanese instrument, and engorged with the tastes of a
bento with summer exclusive ingredients. As time passes and has its
way with me.
Creative Collection & Artist Statement
My creative process
stemmed from a collection of memories from my past experience of
studying abroad in Japan at Doshisha University, Kyoto. I had also
visited Osaka, Nara, Yugawara, Hakone, and Tokyo, which are also
integrated into their respective poems or have influenced a school of
thought I may have learned about. My goal was to explore different
types of poems with a common theme, to portray many different types
of emotions, experiences, language, and observations I had while I
was there.
Ookini, meaning ‘thank you’ in Kyoto dialect, was a tribute to the country for teaching me so much and is displayed throughout the poem as gratitude. The poem reflected my many visits to different temples, shrines, gardens, and observations of the nature, and religious aspects of the culture and allowed me to display my words without weighing the pros and cons, but instead allowing the reader to follow my path of adventure. I chose to pick a memory prose poem for this because I did not have a main emotion throughout, and is mainly experimental in length for the intended purpose of having a lot to say; because I spent the most time there on my trip.
As for the Cinquain pair, I had climbed Mt. Fuji and needed to write about it in two aspects. While still keeping the integrity of my emotions, I decided to write two poems with different outlooks on the experience instead of providing a main emotion for the entire experience.
Attached with these main poems, I have supplied a Haiku, Rondelet, and Tanka as supplemental pieces for a look into “the daily experiences” a person living in Japan would have, and can relate to.
Ookini, meaning ‘thank you’ in Kyoto dialect, was a tribute to the country for teaching me so much and is displayed throughout the poem as gratitude. The poem reflected my many visits to different temples, shrines, gardens, and observations of the nature, and religious aspects of the culture and allowed me to display my words without weighing the pros and cons, but instead allowing the reader to follow my path of adventure. I chose to pick a memory prose poem for this because I did not have a main emotion throughout, and is mainly experimental in length for the intended purpose of having a lot to say; because I spent the most time there on my trip.
As for the Cinquain pair, I had climbed Mt. Fuji and needed to write about it in two aspects. While still keeping the integrity of my emotions, I decided to write two poems with different outlooks on the experience instead of providing a main emotion for the entire experience.
Attached with these main poems, I have supplied a Haiku, Rondelet, and Tanka as supplemental pieces for a look into “the daily experiences” a person living in Japan would have, and can relate to.
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